Traditional and digital art

Category: Ink (page 1 of 1)

Cordon Road

Cordon Road
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This is very close to home, just south of Silverton Road on Cordon Road heading south. The scene is typical for late November with trees silhouetted against a spectacular backlight sky.

I drew this with ink in my sketchbook. It’s fun to smear water and ink around first with my finger to get the sky and road and then after that is dry to add detail with pen and ink. I used a combination of brush pen, fountain pen, and gel pen and a bit of white marker for the two lines on the road.

Travelogue Artist Watercolor Journal, mix of black and blue Pentel Sign pen ink, vintage Sheaffer’s Balance Black and Pearl Lifetime pen with 14K gold nib ca. 1929-30 filled with Noodler’s Benenke Black ink, Kuretake #13 brush pen with Platinum Carbon Black ink, Pentel EnerGel 0.7 Black ink pen, and Molotow 2mm empty pump marker with Dr. Ph. Martin’s Pen White ink. Image is 8×5 inches (20.5×13 cm).

Jim

Orchard

Orchard
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I drew this with ink on Dura-Lar Wet Media film. It is like working on a monotype plate. You can put ink on and then wipe it off. I brushed ink on and also worked with pen and then I scratched or wiped ink off with a tooth pick or a cotton swab. It’s very fast and direct.

This orchard is just north of Hazelgreen Road on 62nd Avenue. Image is 11×3.5 inches (28×9 cm).

Jim

Farmland

Farmland
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Yesterday I went for a drive in the country. I took some photos from the car and today I did this ink and watercolor sketch from one of the photos. I wanted to try using masking fluid to hold back little bits of white. It worked. The white flecks you see are the white of the paper and not white ink applied later.

I started by drawing the basic big shapes with a very light gray pen. I’ve noticed lately that the pictures I like the best have a simple structure of four or fewer major sections dividing the page. I designed this one to have four horizontal sections – the sky, the field, the dirt road, and the dark weedy foreground. I applied ink using both my finger and a waterbrush working up from light gray to black. I then added a bit of yellow and green watercolor. The brown was done with brown ink. I let everything dry and rubbed off the masking fluid to reveal the whites. The last thing I did was to use a pencil to better define the buildings.

Travelogue Artist Watercolor Journal, Pueen Latex Tape used as a masking fluid, Tombow ABT N95 dual tipped brush pen, Derwent #2 round waterbrush, mix of Pentel Sign Pen black and brown inks, Kuretake ZIG Brushables 010 brush pen, Pentel light gray brush pen, 50/50 mix of Noodler’s Lexington Gray and water in a Derwent #2 round waterbrush, Noodler’s Benenke Black ink, vintage Sheaffer’s Balance Black and Pearl Lifetime pen with 14K gold nib ca. 1929-30 filled with Noodler’s Benenke Black ink, Pentel EnerGel 0.5 black ballpoint pen, Daniel Smith watercolors, and a Pentel 0.9mm mechanical pencil. Image is 16.25×5 inches (41.3×13 cm).

Jim

Ankeny Wetland

Ankeny Wetland
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I did this small ink sketch (4×5 inches) to test a few new techniques. First of all I put on a rubber glove, dipped my fingers into some water and spread it on the paper. I then used my finger to apply ink while the paper was wet so that it would blend and bloom. I then quickly scratched lines out from the wet ink to give the impression of trees and branches. I also lifted some areas to lighten them using a paper towel. I went back in using black ink in a fountain pen and also a black gel pen for some detail and finally used white ink from a gel pen and a marker.

I like working this way. It is fast and fun. The technique lends itself to this kind of dark and moody scene. We have a lot of these kinds of days in Oregon.

Fabriano Hot Press watercolor paper, mixes of Pentel Sign Pen black and blue and brown, Noodler’s Benenke Black ink, vintage Sheaffer’s Balance Black and Pearl Lifetime pen with 14K gold nib ca. 1929-30 filled with Noodler’s Benenke Black ink, Pentel EnerGel 0.5 black ballpoint pen, Uni-Ball Signo white gel pen, and Molotow 2mm empty pump marker with Dr. Ph. Martin’s Pen White ink. 

Jim