Traditional and digital art

Category: Art (page 6 of 12)

Traditional and digital art.

Tissue Paper Collage

Tissue Paper Collage

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I thought this would be easy. Just cut out the shapes and glue them down. Boy, was I wrong. The tissue paper is so thin it is difficult to cut with scissors or an exacto knife and even harder to tear by hand because it wants to tear with the paper gain. It is very hard to tear across the grain. I had to give up getting the shapes I wanted and had to just go with the shapes I got.

Then comes the gluing part. The first few pieces go down fine. After that you get glue on your fingers and the paper wants to stay on your finger and not stay down on the paper. It reminded me of Laural and Hardy trying to wallpaper a room. What a mess. It took much longer than I anticipated. I added some textures and color variation with white ink and crayons.

Will I try it again? Maybe with a simpler subject and different paper and sharper scissors and a different method of gluing the paper in place. I must say I have a deeper respect for people who do paper collage.

Strathmore 400 Series Mixed Media paper 9×12 inches (22.9×30.5 cm), Nicole Tissue Paper, UHUstic Glue Stick, Dr. Ph. Martin Pen White ink in a Molotow 2mm empty pump marker, and Neocolor II watersoluble crayons.

Jim

Geraniums

Geraniums

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Sometimes at the end of the day I’ll relax by doing a sketch. I had moved the potted geraniums out of the greenhouse to the back porch for the summer. I sat down and practiced my brush technique. The method I used is called Direct Watercolor. You draw the shapes directly without first laying out the scene with pencil or pen. I first painted the major shapes in lightly with a watery mix of colors and let that dry. Next, I added the midtones putting two colors on the brush at once so they blended on the page. Finally, I added a little very dark color to make it pop.

Strathmore Series 400 Watercolor paper 5.5×8.5 inches (14×21.6 cm), 1 inch flat brush, medium size round waterbrush, Daniel Smith watercolors.

This method is fast but difficult because you are doing everything at once on the fly and there is no going back or making corrections. It’s like walking a tightrope without a net.

Jim

Dory

Dory

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Dory boats are small, flat bottomed fishing boats designed to launch and land from the beach at Pacific City on the Oregon coast. Haystack Rock is a mile off the beach and is the tallest of several large rock monoliths along the Oregon coast.

This is the second small 8×8 inch painting I’m donating to Artists in Action to sell at the World Beat Festival at Riverfront Park in Salem, Oregon to raise funds for the group.

Jim

Minto Island Poppies

Minto Island Poppies

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The local group of artists that I belong to (Artists in Action) will be holding a sale at the end of June (at the World Beat Festival in Salem) to raise money for the group. This year members are painting 8×8 inch stretched canvases and donating them to sell unframed for $20 each. Quite a bargain for an original painting. This is the one I’m donating. I painted it today using acrylics. Let me know if you’re interested in purchasing the painting. I’ll put a sold sticker on it.

Jim

Pansy

Pansy

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We have small pots of flowers on our back step. One of them has a group of small pansies and when I went out to relax on the back porch after a busy day, the pansies caught my eye. So, I sketched one of the blossoms because the color combination was so striking. I had been thinking about trying a technique where you draw each color shape with its corresponding color in colored ballpoint ink which is waterproof and then fill in the shapes with watercolor, and that’s what I did. If you look closely, you can see the outlines in colored ink.

Sketching is like jazz improvisation. You invent something new each time you play and the piece evolves as you go.

Strathmore 400 Series cold press watercolor paper 5.5×8.5 inches (14×21.6 cm), Zebra Clip-on Multi pen, Daniel Smith watercolors, and Caran D’Ache round waterbrush. Image is about 5 inches square (13×14 cm).

Jim

More May Flowers

May flowers

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We went to see Schreineer’s Iris Garden on Mother’s Day. I did a sketch (the top picture) using a fountain pen with grey ink and discovered when I added watercolor that the ink was not waterproof. It bled into the yellow paint. Oops.

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Flower Sketching

Backyard Flowers

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May is flower month in our garden and in public gardens around the area. I did this watercolor and Listo Marking pencil sketch in our backyard a few days ago and this morning I joined the Salem Sketchers at Egan Garden north of town. It’s a beautiful garden with large greenhouses full of wonderful potted and hanging plants. I did two sketches – one with brush pens and one with ballpoint pen.

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Walk in the Oregon Garden

Walk in the Oregon Garden

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After lunch it was such a beautiful day I went for a walk in the Oregon Garden. What a relaxing, peaceful place. I walked around taking a few pictures along the way, and after about a half hour I sat down at a picnic table near the wetlands, ate a snack and did this small sketch.

Stillmann& Birn Zeta series pocket watercolor sketchbook, pencil, Kuretake #13 brush fountain pen with Platinum Carbon Black ink, Platinum Plaisir fine nib fountain pen with Platinum Carbon Black ink, Neocolor II watersoluble crayons, and Caran-D’Ache round waterbrush. Image is about 3.5×5.5 inches (9×14 cm).

Jim

Pink Dogwood Monoprint

Pink Dogwood Monoprint

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Our pink dogwood is in full bloom a week earlier than last year.

I used a sheet of 8×10 inch plexiglass as a plate for this monoprint. I did six layers of colors over two days. I first printed the darks using a mix of ultramarine blue and burnt sienna. Next I did the the greens and yellows. The third printing used white and carmine to make pinks. Then I overprinted with light yellow. Next I printed the darks again to make them darker and to clean up the edges around the blossoms. I then added more variety of pinks mixing white, carmine, rose, and red violet. I did a few touch ups directly on the print with a brush, and finally I added a few small details – the centers of the blossoms and a few stems – with colored pencils.

I like this method of painting. There’s lots of room for happy accidents. The paint does unexpected things when it is transferred from the plate to the paper. It creates interesting textures. Also there are unanticipated overlaps and gaps in the colors because each color is applied separately and needs to be painted in reverse.

Strathmore 400 Series Mixed Media 9×12 inch (23×30.5 cm) paper, Schmincke Horadam gouache, Golden Acrylic Retarder, Albrecht Dürer Faber-Castell and Caran D’Ache Supracolor II watercolor pencils, cotton swabs, and Arteza flat waterbrush. Image is 8×10 inches (20.3×25.4 cm).

Jim

River Monoprint

River Monoprint

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Some art projects start with a “What if…” question. This morning I wondered, “what would happen if I used a retarder in acryla gouache to slow the dry time enough to use it to make a multi-color monoprint”? So, I made this little monoprint as a test.

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